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2010 Retreat at SIBA
Standing Well
So, Why Practise?
Tai Chi and the Tao
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The Source of Happiness
Chinese New Year Demo
3 Hidden Treasures
Your Full Potential
Wisdom of Internal Arts
2011 Retreat at SIBA
China Trip Highlights 11 Interview - Feng Xiu Qian
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Tai Chi Form, page 1
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Fa Soong Gong - relax...
Hun Yuan Qigong

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Interview

Tai Chi and Tea
interviewed by Instructor Lis

Vivian has unconsciously begun to achieve what many students strive for – the incorporation of her knowledge of Tai Chi into her daily life.  In the beginning, people see their Tai Chi practice as something separate from their normal activities.  Tai Chi is done once or twice per week in class, enjoyable but not an essential or long term element of the daily routine.  Gradually, with practice and understanding, a deeper process unfolds.

As a mature age student working towards her Honours Degree in Visual Arts and specialising in gold and silver work, Vivian spends long hours in the workshop.  Many of the tasks involved in creating her silver pieces require standing at a lathe or performing repetitive polishing and filing movements.  Because the communal lathe is not necessarily at the most comfortable height for every student, Vivian finds herself employing the “sitting” stance which also alleviates the backache associated with standing for long periods.

She has learnt to relax her shoulders and to use the wrist, hand and arm exercises

Hong Qiao Market, Beijing

to counteract the effects of one directional repetitive movements.  Vivian has become aware of the benefits of relaxation throughout the day and is equipped now to quickly release the tension she feels gathering in her body.

Vivian and her sister began Tai Chi classes in 1997 or 1998.  They did two terms and Vivian enjoyed it immensely.  “The crazy thing is,” she says, “I started because I’d just begun school teaching and it was very stressful.  I had terrible headaches and I thought Tai Chi might be helpful.  It seemed like a wholistic solution and I thought it sounded good.  It was but I stopped after two terms because I was too stressed out to keep attending lessons.  It was mad.  The headaches actually stopped while I was at the classes.  I should have kept going.”

She met her partner, James, soon after and last year they decided to come along because it was something they could do together.
           “People kept mentioning it.  There’s a shop in Manuka which has the pamphlets and the lady was very enthusiastic, saying how good it is and we should go.”
           Neither realised the other had already been to the Academy’s classes.  James had started way back in the early eighties when Chief Instructor Brett Wagland first began teaching in Canberra.  He’d practised for several years, even reaching the level of learning the sword form.  He too has begun using the exercises as a means of alleviating discomfort, in his case, caused by indigestion.
          
“James likes the chest stretching movements.  I suppose we both adapt the exercises to suit our needs.”

Now in the Refinement level, Vivian and James usually attend two classes each week.

“I try to practise four or five days in the week.  We hardly ever find time to practise together but when we do, we go through the Hun Yuan Qigong.  When I practise on my own I don’t do the Qigong, which is silly because I love it.  I don’t know why I don’t practise it by myself.  I love doing it in class.  I try to incorporate the feeling into the exercises I do during the day, though.

I never had too much trouble with the co-ordination aspect.  It’s the sequence, the memory, that was a problem.  I suppose more practice would solve that but it was Level Two I found most challenging, I couldn’t remember the pattern.”

Since resuming classes, Vivian has noticed increased flexibility in her shoulders and her knees don’t make such strange noises when she bends now.  The headaches caused by stress sometimes recur if she is under pressure in her studies but they are far less frequent.  She knows that a Tai Chi session will alleviate the pain.  

Having reached Refinement level (completed the form), Vivian is enjoying exploring the intricacies of the form.  She is able to appreciate the areas she needs to work on in her own movements and understand why certain aspects are not quite right yet.

“I think I’m finally beginning to feel what Fontane means by ‘sitting’ into the stance and using my waist more.  The movements feel quite different.  Going over the form in detail, I see just how far off base I was at first.  It’s amazing.” 

Vivian is working on her graduation piece, a silver tea service.  One of the objects is a tea strainer with a delicate pattern of tiny holes and a handle which will partially impede the flow from the teapot.  “I want the act of pouring the tea to be slow and thoughtful.  I want the user to be aware of the action, to concentrate on that moment, not just fill the cup and move on.  I deliberately made the strainer so the tea can’t be poured quickly.  It’s like Tai Chi.” 

(This is an actual interview, but the names have been changed for reasons of privacy.)


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